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Venus Optics recently sent me an early pre-production copy of the new Venus Optics Laowa 15mm f/4 1:1 wide angle macro, the world’s first ultra-wide angle macro lens capable of magnification up to 1:1. I have been dabbling with it in the past week to publish a first look for this one-of-its-kind lens.

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Wide angle macro photography is a rarely explored genre of macro photography, largely due to the lack of readily available equipment or accessories to allow one to focus up close with a wide-angle lens. It is also a difficult beast to tame due to the short working distance. Composition and lighting can be very different from mainstream macro photography but once you get the hang of it, the resulting perspectives can be mind-blowing and very well worth it.

Test Photos

I took the lens out for a short morning walk, and managed a couple of keepers with good performance except for noticeable chromatic aberration. All photos are uncropped single exposures, tested on Nikon D800 with a SB400 Speedlite and a DIY flash diffuser unless stated otherwise. Filter and lens hood were removed during testing.

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“Giant” Fungi. A low angled shot captures the background in its entirety, and the clarity of the background gives the impression of a giant mushroom (which were slightly less than 2 inches tall). Handheld, 1/50s, f/22, ISO500, single fill flash.

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“Giant” Fungi. From an even lower angle, it gives the viewer the perspective of a bug under the mushrooms. Handheld, 1/50s, f/22, ISO500, single fill flash.

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Snail with Marina Bay Sands in the background. Handheld, 1/10s, f/22, ISO800, single fill flash.

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Ornamental tree trunk spider (Herennia sp.). Handheld, 1/25s, f/22, ISO800, single fill flash.

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Katydid (Tettigoniidae). Handheld, 1/25s, f/22, ISO400, single fill flash.

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Red tent spider (Cyrtophora unicolor). Handheld, 1/13s, f/32, ISO400, single fill flash.

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Marina Bay Sands. Perspective correction with lens shift. Perspective correction with lens shifting is nothing new, but always welcome for architectural photography. A very nice bonus, given that any lens with the capability to shift will tend to cost a lot more than this one!

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Singapore residential building. Perspective correction with lens shift. Another example of perspective correction shot from a high position.

Lens Build

Weighing at just 410g, this lens a small chunk of solid metal. It comes with a lens hood, but it would typically not be used when shooting close-ups.

The focusing ring is damped and smooth, but the aperture ring is not damped and smooth without stops.

The shift mechanism is not easy to adjust — there is no way to lock the shift at precise positions except at 0mm and the extremities. With enough practice, it should be easy to handle.

Performance

Image quality is excellent in the middle of the photo and deteriorates at the corners on a full frame sensor. The following tests were made by shooting a fine-grid paper (approximately 2.4 squares per mm) lighted from behind.

Image Quality and Diffraction

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At 1:1, image quality is excellent in the center of the image. Diffraction is very well controlled, creeping in very slightly at f/22, and showing marked deterioration at f/32. f/16 and f/22 would be good aperture settings to use for the best image quality and most detail in the background.

Distortion

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Distortion is apparent at close distances, but should be easily corrected in post-processing.

Chromatic Aberration

Chromatic aberration (CA) is not very obvious at non-macro focusing distances, but shows up distinctly when we get closer to the subject. CA is a common problem with wide angle lenses focusing at close distances and not unexpected. CA correction techniques are available in post-processing.

Conclusion

Pros
– Able to focus from 1:1 to infinity without extension tubes
– Excellent image quality
– Well controlled diffraction up to f/22
– Small and light for an ultra-wide angle
– Lens shift for subjects above eye level
– Affordable price

Cons

– No automatic aperture control
– Chromatic aberration at the corners
– Large lens diameter, challenging to approach and illuminate subjects
– Obvious barrel distortion

The Venus Optics Laowa 15mm f/4 1:1 wide angle macro lens delivers well on its promise to photograph small subjects with a very wide depth of field. 1:1 is an unpractical magnification for wide-angle field work due to the short working distance of 4.7mm, but it gets more manageable at 1:2 and wider.

Being a manual lens, focusing at stopped down apertures becomes exceptionally challenging, but this is a problem faced by every other wide-angle macro solution out there and resolved with either live view or manually stopping down the aperture after focusing wide open.

Despite the limitations which are expected in any current wide-angle macro setup, this lens has surpassed my expectations and has earned a permanent spot in my camera bag.

The launch price of this lens is $ 479, inclusive of international shipping. This lens is available for pre-order now and should be ready to ship by end of July 2015. You can use the discount code SGMACRO to get a 5% discount when purchasing the lens from the Venus website.


About the author: Nicky Bay is a macro photographer based in Singapore. You can find more of his work and follow along with his adventures through his website and Flickr photostream. This article was also published here.


PetaPixel

"Aspen Rain" By Justin Reznick

“Aspen Rain” By Justin Reznick

I was hiking through Emerald Bay State Park on the shore of Lake Tahoe in late November, scouting for a private tour. It was getting cold, and the rain turned quickly into snow. I noticed a grove of aspen trees. Amazingly enough, there were still a few final leaves holding on. I was witnessing what would likely be the last day of fall for this grove of aspens. Then I noticed something truly incredible lying at my feet. The fallen aspen leaves glowed in an array of stunning colors. I had never seen anything like it, and I rushed to set up my camera and macro lens.

The snow fell harder and harder as I quickly attached my Canon 5D Mark III with a Tamron 90mm ƒ/2.8 macro lens on my Gitzo 3541XLS tripod. The use of a macro lens would give me the level of detail that I desired on the leaves. The rain had formed perfect drops on the leaves, and the snow started to stick, adding a feeling of cold to an image with such warm colors. I was able to find a compelling composition and take a series of shots. I used an aperture of ƒ/11 and kept the ISO to 100 for optimal quality. It was important to keep the plane of the sensor as parallel as possible with the forest floor in order to keep each element in focus. I took quite a few frames as the weather closed in. It wasn’t long before the entire ground was covered in snow and the shot was gone forever. I immediately knew that I had captured an instant favorite of mine in such a fleeting moment in nature. I had no preconceptions of the image before discovering it, which just goes to show that you should always keep your eyes open and embrace the spontaneity of nature.

See more of Justin Reznick’s work by visiting justinreznick.com and landscapephototours.com.

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